The essay opens with the author in a car satisfactory of manure, which suggests its throw novel. He sees a crudely worded, ungrammatical contract with an arrow drawn in red crayon; these complicate imply a story slightly the person who confine it, while the sign itself promises a story behind the qualifying it advertises. The authors investigation of the come apart is its own story, unless the prostitute besides promises a story, or many: Who make it? wherefore is it ruined? Why are these things here (a wagon, a boat)? What about those bees? Finally, the authors conversation with the owner tells the story of their negotiation, culmination to an agreement about what to do with the barn, but also reveals a little more of the story of the barn itself, why its overthrow but not out. The main break down comprises four subsections: Capturing the bees, visitors, an interlude, and more visitors. Again, each subsection tells multiple stories. in that location is the s tory of the bees themselveswhere they built, what they are doing, how they respond to the collapse and whence the nonplus of their hive.
Staffords description evokes the theme: the bees stir a metropolis compact with purpose in a miss interject (178). Each visitor brings a storythe boys who indirect request a tree house, the man who rallying cryed the barn an eyesore, the woman who wished it could have stayed, and so on. The interlude tells us that so many stories call for symmetry: I had to stop, I had to strait away from it, ... to walk once more and rest from the persistent unity of the ruin (181). The au thor naps, and when he wakes he finds a shap! e of my own home in the grass (182): even so transeunt a dwelling as a nap in a hayfield leaves a shape like the barn, a story.If you want to wee a full essay, order it on our website: OrderCustomPaper.com
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